Scirii turns a dead relationship into a dying star, and lets NASA close the wound

According to prominent records, black holes emit actual sounds. This fact was recorded by NASA many years ago and now resides at the end of the song "TON 618" sung by Scirii, in the manner of an involuntary confession.

This particular ending is the one that remains with you for life.

The song is named after the biggest black hole known, which is bright enough to burn everything in its surroundings. The London artist Scirii, who studied psychology and cognitive neuroscience before getting her stage name, heard this fact and thought about a special person who takes the lead among others.

Trip hop beats linger under cinematic guitar. Her vocals travel through various tones and pitch as if she is experimenting with the same sorrow. She composed and recorded this music all night from her bedroom studio from a ten seconds loop that she called "the ethereal ghost funk."

TON 618 is part of an unintentional trilogy consisting of The Antagonist and Femme Fatale, where all stories are revolving around the same plotline of manipulations that come in a form of love.

The musical work appears inspired by the best of two worlds of Evanescence's darkness and Melanie Martinez's theatrical world, but Scirii's idea is solely hers. It has to do with derealization, emotional extremes, and the physics of falling in love with the one who keeps consuming you.

Once you hear NASA's audio that is both low and alien as well as real, you immediately understand that some are not breaking your heart but simply pulling until nothing left.